Forthcoming​

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Farmer, W. (Accepted/In Press). Scoring the Transmedial Franchise: Music in How to Train Your Dragon’s non-AAA Video Games. In R. Anatone, & A. Powell (Eds,), Music and Remediated Storytelling, Routledge.

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Farmer, W., & Summers, T. (Accepted/In press). Television, Musical Register, and the Franchise: Continuity and Change. In J. Deaville, J. Getman, B. McCorkle Okazaki, & R. Rodman (Eds.), Oxford Handbook to Music and Television.

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Published

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Farmer, W. (2026). Bound by The Chain: Musical Identities in Motorsport - Decentralised Franchises & Refraction Framework. Re/sounding Visions: Music, Sound, and the Moving Image at 20 & Sound on Screen V, Royal Northern College of Music, Manchester.

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Farmer, W. (2025). Music & Motor Racing. Motor Sport Magazine, 2026 (01), 66-73. https://tinyurl.com/nhc973zu

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Farmer, W. (2025). Bound by The Chain: Musical Identities in Motorsport. Silverstone Museum Research Forum, Silverstone.

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Farmer, W. (2024). Review: Authenticity in the Music of Video Games, by Stephanie Lind. Journal of Sound and Music in Games, 5 (2), 116-120. https://doi.org/10.1525/jsmg.2024.5.2.116

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Farmer, W., & Summers, T. (2024). Towards a Transformational Theory of Music in the Franchise  [Keynote: 2024]. Sound on Screen III, Oxford.

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Farmer, W., & Summers, T. (2023). Towards a Transformational Theory of Music in the Multimedia Franchise. Sound on Screen II, Oxford.

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Summers, T., Cook, J., Farmer, W., Ferrè, E. R., Harrison, L., Hemming, R., Ivanescu, A., Reed, L., Roberts, F., Stevens, R., Tatlow, S., & Whittaker, L. (2021). Music and Sound in Virtual/Augmented Realities: Questions, Challenges and Approaches: A Multidisciplinary Roundtable. Journal of Sound and Music in Games, 2(2), 63-83. https://doi.org/10.1525/jsmg.2021.2.2.63​